Category Archives: The media

Freeploid clickbait FAIL

The Burlington Free Press is allegedly entering the Brave New World of Journalism’s Future: an age with resource-starved newsrooms, reporters scrambling to fill multiple “content streams,” Orwellian job titles like “Content Coach” and “Engagement Editor,” little or no copy editing, and a fixation on “audience analytics,” i.e. clickbait. Stories will be pursued, written, and even rewritten in response to the perceived interests of the audience. And note: we’re not readers anymore. We’re “news consumers” or something.

But if this is indeed the future of the Freeploid, it’s off to a rocky start. Yesterday, we learned the identity of Ebola Guy, the Vermonter who spent most of October in West Africa on a solo mission to fight Ebola.

It’s a big damn sexy story that pushes all the right buttons. It’s got important public policy implications: How did this guy get to Africa and back? How was his return handled by local, state, and federal authorities? What does it say about our Ebola containment efforts?

At the same time, it’s an eyeball grabber. Peter Italia is a full-on nutball who has claimed to use time travel and other “special powers” to cure disease and bring back people from the dead. His Facebook page is chock full of juicy stuff, chronicling his trip to Africa and detailing many of his cherished beliefs.

Also, I’ve heard that there are more dimensions to the story yet to come out — some on the serious policy questions, some in the “WTF” hot zone of audience curiosity.

The Freeploid’s Mike Donoghue managed to get quite a bit of detail yesterday and posted a story online last night.

But did they feature it on the website?

No. The primary slot on the homepage was about a high school soccer game.

Today’s print edition banishes Donoghue’s story to page 3; the front page has a run-of-the-mill piece on Vermont officials preparing to deal with Ebola cases.

And this morning, even after a solid 12 hours of “audience analytics,” the homepage STILL doesn’t feature Italia:

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All I can say is, c’mon, Freeploid. If you’re going to burn your journalistic soul on the altar of “audience analytics,” you could at least do a good job of it.

Postscript. The Freeploid pulls an old favorite trick in Donoghue’s piece: doggedly refusing to give credit to other media outlets. You wouldn’t know it by reading Donoghue, but it was WCAX-TV who first identified Italia and scored a phone interview with him. I’ve said it before, but this is the kind of thing that makes the Free Press disliked by many others in the media world. It’s arrogant, it’s wrong, and in the long run it does nothing to elevate the Freeploid or diminish its rivals.

Meet Dan Feliciano’s uvula

Well, I think we can stop taking submissions for Worst TV Ad of 2014 (Vermont Regional). Ladies and gentlemen, we have a winner!

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That’s a screengrab from the new TV ad for Dan Feliciano, Libertarian candidate for Governor.

At least I think it’s an ad for Feliciano, not a bit of inspired trollery by the Scott Milne campaign. Because the ad does nothing to advance Feliciano’s cause; indeed, it highlights his status as an underfunded, politically inexperienced, minor-party candidate.

How bad is it? Let me count the ways.

The entire 30-second ad consists of one continuous shot of Feliciano reciting his favorite talking points. His voice is too fast, he’s too brightly lit and uncomfortably close*, his face does a bunch of weird things, his closing smile is off-putting. It was clearly done on the cheap.

*It’s never a good thing if a viewer’s first instinct is to recoil from the screen. 

The script is poorly written; his first line is “Like you, I believe our best days are ahead.” And then, without the slightest pause, he ticks off all the ways our state is going to hell:

3,000 fewer jobs. Out of control spending. Increasing poverty, low wages, high taxes, and government-controlled health care are alarming.

Wait, you just said something about “our best days”. WTF?

The parade of imagined horrors out of the way, he instantly pivots to his pitch:

I’m Dan Feliciano. I have the experience to reverse these trends by taking a fresh look at government.

When you vote, think new. Think better. It’s time to vote for experience and not party. Vote Feliciano for Governor. Our best days can be ahead, and I’ll be there with you.

Queasy smile, fade to black.

Wait, “experience”? Not once but twice?

Most viewers have never heard of this guy or seen his face before. How are they supposed to buy him as “experienced”?

I understand that there’s no time for a resume in a 30-second spot, but you can’t just come in and throw “experience” around as a credential for a virtual unknown. Also, how can you pitch “new” and “experience” in the same breath?

It’s a political truism that TV exposure is a necessity. In this case, the more people see this spot, the fewer votes Feliciano will get.

And now, in case you thought I was exaggerating about his face doing weird things, here are a few screengrabs taken more or less randomly in one viewing.

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p.s. That last one is Feliciano’s attempt at a smile. Yikes.

The sad thing is, he really is quite a bit more personable than this. Which makes it even more of an insult to the fine art of advertising.

Scandal! Panic!! Naked Hippies!!! Taxpayer Dollars!!! AAAAAAHHHHHHHH!!!!!!!!!

About five weeks ago, the Vermont Historical Society announced a bit of good news: it won a $117,521 grant from the Institute of Museum and Library Services to conduct research and create exhibits and programs about Vermont’s countercultural movement of the 1970s. (The total cost of the project is roughly $260,000; VHS is responsible for getting the rest of the money.) VHS curator Jackie Calder explains:

“By collecting objects, papers, and oral histories we will be creating a body of information for this pivotal period in our state history, making it available for generations to come. And our project’s community forums and public programs will engage Vermonters in learning about this important time in our history.”

It’s a worthy project. The countercultural movement had a lasting impact on Vermont — its politics, culture, environmental movement, its very active food scene, even its economy. (Ben and Jerry’s, anyone?)  The idea of collecting oral histories is especially pertinent, since the firebrands of the 70s are now, ahem, getting up there in age and won’t be around forever.

So, all good, yes?

Yes, until the right-wing “news” site Vermont Watchdog got wind of the grant — more than a month after it was announced — and predictably headlined it like this:

Taxpayers stripped of $117,521 for naked hippie commune research

Damn dirty clickbait!

Damn dirty clickbait!

Ahh, nothing like a little moral panic to clear the sinuses, eh?

VW’s one and only staffer, Bruce Parker, hit all the high notes in his predictable screed: a “taxpayer-funded” project to study “the hippie commune movement that invaded Vermont” with its “oft-nude, drug-addled drifter colonies,” “idealistic youth dropping out of society,” “free-love vagabond communards,” and a former member reminiscing about how “We shared food. We shared sex. We shared clothing…”

Damn dirty HIPPIES!

This story combines two favored tropes of the far right: exaggerating government-funded activities to make them look ridiculous, and slamming the excesses of the left. Especially hippies. Damn dirty hippies!

But seriously, that 70s stuff — which itself had its roots in earlier back-to-the-land movements, as embodied in the works of Helen and Scott Nearing and pioneering New Hampshire-based food writer Beatrice Trum Hunter — did play a significant role in creating the Vermont of today.

The old Vermont, remember, was an extremely red state, ruled for over a century by the Republican Party. Montpelier was a famously stiff community where the sidewalks got rolled up at 5 p.m.

The transition is striking. And the role of the counterculture movement is definitely worth studying and discussing. Libraries and museums are the places that collect and preserve our past. That’s kind of important, no? We need to understand our past in order to understand how we got where we are.

I think Santayana put that a little better. But you get the point. Museums and libraries are the repositories of our history, our culture. They are the institutions that preserve what is important. And it’s inarguable that the 70s counterculture played an important role in Vermont’s history.

Even if you can’t stand damn dirty hippies.

And the first one bites the dust

The seasonal slasher flick that is the Burlington Free Press has claimed its first victim. Reporter Lynn Monty has been kicked out the door for refusing to go through the “degrading and demoralizing” experience of “interviewing for a job I already had.”

Last week, Freeploid staffers had to re-interview for newly-defined jobs as part of Gannett’s Newsroom of the Future initiative. Seven Days’ Paul Heintz reports that Monty had an interview scheduled, but at the last minute she couldn’t bring herself to go through with it.

“I opted out of the interview process and they laid me off. …I loved my job, but I don’t love Gannett. I will make a new way for myself that doesn’t compromise my integrity.”

… According to Monty, Gannett plans to pay her the difference between unemployment insurance compensation and her full salary for six weeks — one for each year she spent at the paper.

Ooooh, six whole weeks! That’ll take her right into… mid-December.

Merry Christmas!

One other note that strikes me as extremely convenient:

An internal document obtained two weeks ago by Seven Days indicated that final decisions from Gannett were due this week, though Monty said she expected them next week.

Yeah, we’ll expect you all to work your asses off through Election Night, but no guarantees after that.

Happy Thanksgiving!

Ethical issues in Dean Corren’s TV campaign

Questions have been raised about a couple of Dean Corren’s TV ads. One of them claims that incumbent Lt. Gov. Phil Scott has been endorsed by Right to Life; another shows a series of high-profile politicos who’ve endorsed Corren, but includes a picture of two state senators who have not.

The former is explored by the Freeploid’s Nancy Remsen today. The ad in question features several women talking about reproductive rights. (Their names are not mentioned; one of them is state Democratic Party chair Dottie Deans.) They extol Corren’s support of reproductive rights, and then one of them says “Dean Corren is endorsed by Planned Parenthood; his opponent, by Right to Life.”

Kerfuffle ensues.

Phil Scott insists he is pro-choice, although he does support parental notification for minors seeking abortions, which is one of Right to Life’s pet causes. (It sounds fine in theory, but in practice, a lot of girls seeking abortions come from troubled homes. In some cases, they were impregnated by a family member. Parental notification opens a big fat can of worms.)

In fact, Right to Life has not endorsed Scott, but it has “recommended” him. Corren says this is a distinction without a difference: Scott has Right to Life’s support, if not technically the endorsement. The ad doesn’t mischaracterize Scott’s positions; it just points out that he’s backed by an anti-abortion group.

The Corren people could change the narration to say “Dean Corren is endorsed by Planned Parenthood; his opponent is supported by Right to Life.” The impact of the ad would be unchanged. I don’t think it’s that big a deal either way.

As for the other ad… it starts with Sen. Bernie Sanders endorsing Corren. (Well, technically, he says “I’m voting for Dean Corren,” so maybe Phil Scott would argue that that’s not an “endorsement.”)

And then, for a solid five seconds, there’s a still photo of several Dem and/or Prog officeholders posing together.

I hadn't realized our Auditor was so butch.

I hadn’t realized our Auditor was so butch.

From left to right, we have Sen. Ginny Lyons, Sen. Tim Ashe, Cong. Peter Welch, Auditor Doug Hoffer, Dean Corren, Sen. Phil Baruth, and Sen. David Zuckerman.

After that, the ad cycles through other images and names, and ends with Bernie.

But that one picture is the problem. Lyons and Ashe have not endorsed Corren. Lyons has pointedly not made an endorsement; Ashe has been silent.

The ad is factually accurate. It doesn’t claim endorsements from Lyons or Ashe. But the implication is obvious, and it’s misleading. That picture is on screen for five seconds, which is an eternity in TV ad time. And the big colorful campaign signs clearly identify the two senators, tying them visibly to the endorsement list.

Otherwise, the ad is excellent. It’s well-produced and effective. It drives home the point that Corren is supported by a broad range of liberal and progressive individuals and groups. But that one image is deceptive. It’s within the letter of the law, but violates the spirit. I’d expect better from Corren.

A peek into the Freeploid’s grim, dark future

I’ve been a harsh critic of the Burlington Free Press because (1) it occupies such a prominent space in our media market, (2) its performance is spotty at best, and (3) it thinks so highly of itself.

But I read something yesterday that has me feeling nothing but sympathy for the denizens of the Freeploid’s famously picturesque seventh-floor offices. It was a story in Nashville Scene, which appears to be that city’s version of Seven Days. The subject: trouble at the city’s daily newspaper.

Remember the Nashville Tennesseean? It’s one of the Freeploid’s fellows in the Gannett chain, and it was one of the first to adopt Gannett’s “Newsroom of the Future” initiative, complete with smaller news staffs, little to no copy editing, staffers forced to reapply for redefined jobs, and clickbait-oriented journalism.

Well, the initial returns are in, and it’s bad. Really bad. The implementation of the NOTF included a few staff departures; but since then, there’s been a mass exodus of talent that’s left the newsroom so understaffed that Gannett has had to fly in temp help from its other papers.

First went Brian Haas, the cops and courts reporter, who bolted for a spokesman job with the fire department. Then came the shocker: Michael Cass, the longtime Metro reporter, exited for Mayor Karl Dean’s office, even though Dean has only a year left in his administration.

And then there was Metro editor Steve Stroud:

After arriving from San Antonio three years ago, he developed a reputation as a good editor who wrote sharp analysis pieces on politics and state government on occasion. One by one, though, he watched almost his entire team of reporters walk out. A group that had spent the past year winning multiple awards for the company was virtually gone: investigative reporter Walter Roche left in July and political reporter Chas Sisk in August, followed by Haas and Cass.

Now, after passing him over for any of the new leadership positions in the newsroom, management offered Stroud a new role — tourism reporter.

There’s your Newsroom of the Future: a talented, experienced editor busted down to “tourism reporter.” Unsurprisingly, Stroud declined the honor.

Stroud’s bureau was left with a single reporter. That’s when Gannett bussed in some temps — who are being asked to instantly cover a major city they’ve never lived in, with the bureau’s institutional memory almost entirely gone. That’s quality journalism. Not.

But wait, there’s more:

Last week came news that Peter Cooper, the paper’s star music columnist and go-to writer for chronicling country music legends, was leaving too.

In Nashville, as you can imagine, the post of “music columnist” is kind of important. There were other departures as well.

… The firing/rehiring process that got the paper into this situation has created deep distrust of current management. One staffer referred to the entire process as “Kabuki theater.”

“If they were going to go with ‘more’ reporters, why did so many get eliminated in the restructuring?” the staffer said. “It was clear there were favorites and directives. The process was just a fancy way to let go of people.”

The Tennesseean, whose first edition under the NOTF featured a front-page article on price cuts the city’s biggest supermarket chain — a major newspaper advertiser, natch — must now be a mere shadow of its already pathetic self.

Imagine what Seven Days would be like if Paul Heintz, Mark Davis, Kevin Kelley, Alice Levitt, Dan Bolles, and Margot Harrison all left at the same time. Well, we may not have to imagine, because I suspect the Burlington Free Press will be similarly depopulated by Christmastime.

And the NOTF’s journalistic mandate?

“At the daily news meeting, [chief editor Stefanie Murray] begins by asking, ‘What are people talking about today?’ ” one former staffer told the Scene this summer. “Time was editors would be asking, ‘What do we have that people WILL be talking about tomorrow?’ “

Local Girl Makes Good. (Hey, I can do clickbait too, y'know.)

Local Girl Makes Good. (Hey, I can do clickbait too, y’know.)

Coincidentally (or not), today’s Freeploid contains a clickbait-friendly article about a former Barre high schooler (now a college senior in North Carolina) who just did a Playboy photo shoot. Quick, call the Pulitzer committee!

 

Wow! Scott Milne puts an ad on TV!

He must have thoroughly scoured the sofa cushions, because he’s finally taken to the airwaves with a paid 30-second ad. Either that, or he spent some time on Ancestry.com searching for more Milnes and Boieses to fund his (very) late-blooming media effort. This is his first ad buy since the August primary, when he put out a single ad to help him fend off the “challenge” of Emily Peyton and Dan Feliciano.

Anyway, he managed to pay whatever it cost to produce the thing, plus $78,825 on ad time. And shockingly, he didn’t spend most of his money on WCAX:

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As for the ad itself, well, it’s exactly what you’d expect. It’s a rehash of Milne’s attacks on Governor Shumlin delivered in a downcast voice by a female narrator — how many days he’s been out of state, slow economy, high taxes, Vermont Health Connect — with creepy music in the background.

Then, as it always does, the music shifts to a happy, mellow tune and the camera focuses on Our Hero, Scott Milne, standing outside somewhere on a sunny day, promising to cap property taxes, enact new incentives for education, and end “Peter Shumlin’s failed health care experiment.”

And then, just before the video cuts away, this strange lopsided smirk spreads across his face:

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Eeeesh. Looks like a bad used car salesman.

Shoulda tightened up the edit just a bit, boys.

The ad ends with a slo-mo video of Milne in profile with the suddenly-upbeat female narrator saying, “Scott Milne for Governor. Focused on solutions… full-time.”

Just a touch of snide in her voice on the “full-time.”

So yeah, typical stuff. Probably came out of some Generic Political Ad Generator from some Generic Political Production Company.

Nothing wrong with it. It’s just utterly predictable.

Well, except for the smirk.

Governor Who?

Welp, the “we don’t need no stinkin’ copy editors” era is off to a whiz-bang start at Vermont’s Largest Newspaper.

Yeah, that’s the Burlington Free Press’ official Twitter feed misspelling Governor Shumlin’s name. (And four Freeploid staffers, including Gannett Apologist-in-Chief Michael Townsend, retweeting it without noticing.)

Oopsie.

Freeploid Follies, Weekend Catchup Edition

Things are getting a little sketchy at the Burlington Free Press, Vermont’s ever-dwindling Largest Newspaper. I’ve got several items to report; none merited separate posts, but they make a nice collective bundle.

— Things are worse inside 100 Bank Street than I thought. And I thought things were pretty damn bad, what with almost every news staffer being forced to reapply for jobs and a new era of clickbait-oriented, sales-friendly journalism about to begin. Er, sorry, that’s the Newsroom Of The Future.

But as Paul Heintz reported in Wednesday’s Fair Game column, the pursuit of clickbait is already in progress:

Sources say that editors have become increasingly focused on web metrics in recent months. Reporters are expected to monitor the number of clicks their stories receive on a daily basis and rejigger headlines and copy to boost readership.

Oh joy. Not only are they allowing reader metrics to determine which stories they cover, they’re rewriting stories and headlines after the fact in hopes of goosing the pageviews. That’s gotta grind at the soul of any self-respecting journalist.

And things will only get worse in the NOTF, when a “Content Coach” will be monitoring pageviews and “coaching” reporters who don’t measure up. (“Say, Terri, any way you could mention the Kardashians in that school-consolidation snoozer?”)

— Speaking of self-respecting journalists, remember the Columbus Day tag team Tweetwar that erupted between The Freeploid’s Mike Donoghue and Adam Silverman in one corner, and Seven Days’ Mark Davis and Paul Heintz in the other? Donoghue and Silverman were vociferously defending the honor of their employer.

Well, interesting thing about that. As Heintz reported on Wednesday, Donoghue and Silverman are two of only four news staffers who are exempt from the reapplication process. No wonder they’re singing the praises of the Freeploid: they got a pass, and won’t have to go through the demeaning and degrading ordeal of having to re-interview at their current employer.

— Speaking of demeaning and degrading, ace journalism watchdog Jim Romenesko reports that Gannett is offering opportunities for current staffers to, ahem, adjust to the Newsroom Of The Future. Gannett’s holding a virtual re-education camp with seminars on subjects like: How to perform well when interviewing for one of the new jobs, writing “sharper” headlines, achieving better SEO for stories, using social media to “establish your brand and personality,” and “cleaning your copy.” The latter will be crucial because the NOTF will include far fewer copy editors, and reporters will be expected to submit publication-ready stories.

You know, if by some hellish circumstance I was offered a job at Bank Street, I’d turn it down. It’s sounding like a truly awful place to work.

— Speaking of truly awful, my Friday Freeploid arrived with a big fat section on pink newsprint. The front page bore the image of a pink ribbon, the Freeploid’s Circle-B logo, and the title “Making Strides: Breast Cancer Awareness.” Inside were a handful of heartwarming articles about cancer survivors and people involved in fundraising, treatment, and research.

But mostly, the 32 pages (!) were full of advertisements by local businesses proclaiming their support for the fight against breast cancer.

Nowhere, as far as I could see, was there any statement that any of the hefty proceeds from this special section would go to cancer research or treatment. Nope, it was the Freeploid cashing in on an emotionally appealing cause. And their many advertisers doing the same.

— Finally, an odd note from late Saturday night. Apparently, the Newsroom Of The Future was empty except for the gray countenance of Executive Editor and Chief Corporate Shill Michael Townsend, because Townsend himself was sending out a stream of Tweets about stories on the Freeploid’s webpage. And one of ’em was a real headscratcher.

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That’s odd, I thought. So I clicked on the link, which took me to an article about Entergy’s announcement on Friday that decommissioning Vermont Yankee will cost $1.24 billion.

But WTF is with Townsend’s gratuitous shot at single payer health care? The article has nothing to do with health care reform.

Maybe Mike was sitting at his desk on a Saturday night, Tweeting his brains out and drowning his sorrows in a bottle of Kentucky’s finest. Otherwise, how can you explain this out-of-nowhere shot at Governor Shumlin’s top priority? It was certainly unbecoming for the Freeploid’s number one exemplar of the Newsroom Of The Future.

Here’s a protip for “establishing your brand” on social media, Mike: Measure twice, Tweet once.

Scott Milne finally gets the attention he deserves

Well, the punditocracy keeps saying that Scott Milne needs to take advantage of free media to get his message out. And now he has, big time: he earned himself a stout twelve seconds of national airtime on The Daily Show With Jon Stewart. The end of every show is a “Moment of Zen,” a goofy bit of context-free video from somewhere or other. Last night’s MoZ was taken from Vermont PBS’ gubernatorial debate.

Specifically, Milne’s opening statement, in which he managed to screw up the first line of his life story.

Screen Shot 2014-10-16 at 11.18.38 AM For those disinclined to click the video link, here’s a handy transcript.

“My name is Scott Milne. I’ve, uh, uh, third generation, um, ah, born in Vermont, uh, take that back, I was born in Brooklyn.”

Congratulations, Mahatma. You’ve made the big time.